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Twitter timelines were scoured; photographic support was amassed; offhand comments were overanalyzed; and whole dossiers of “evidence” were collected to reconstruct the events that were allegedly behind the song.
This was hardly the first time this kind of analysis had bubbled up around Swift’s music.
Almost since she first came to prominence, her songs have been read autobiographically: Their lyrics have been seen as narratives of her personal life.
Carly Simon's "You're So Vain" was released in 1972; Simon was still releasing "clues" about it early this year, and all we know is that it's not about Mick Jagger, it might be partly about Warren Beatty, and Simon says it has nothing to do with a "David" despite reported confirmation from her representatives that it does.
Joni Mitchell attached names to her songs only intermittently; "Willy" is pretty much explicitly about Graham Nash, but according to the biography , she told one friend that "A Case of You" was about Leonard Cohen, and another that it was about James Taylor.
Tori Amos's fans are still trying to figure out the exact nature of her relationship with Trent Reznor, based on a handful of lyrical references and the fact that they seemed close in the mid-90s.
Sure, you'll get an occasional Fleetwood Mac, whose deliberately played with their well-known break-ups and changing alliances.
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